From Object to Installation in Bruno Taut’s Exhibit Pavilions
نویسندگان
چکیده
This study investigates the gradual evolution of the idea of installation in three experimental exhibition pavilions designed before World War I by the German architect Bruno Taut. In collaboration with the critic Adolf Behne, Taut gradually transferred ideas from Expressionist painting to architecture and helped move his designs, and with it modern architecture more generally, from a focus on visual ''objects,'' to multisensory ''experiences,'' an idea that continues to resonate in modern installations today.
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